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Daughter of a Cuban Revolutionary

World premiere REDCAT 2007, INTAR at the Daryl Roth NYC, Edinburgh, Miami, Guadelajara, LATC Encuentro 2017, Arts Emerson. Atlanta, The Goodman Theater. This solo tour de force tells an astonishing tale centered on three towering figures in the life of protean performer Marissa Chibás: her father, Raul Chibás, who co-wrote the manifesto for the Cuban revolution with Fidel Castro; her uncle, Eddy Chibás, who was the frontrunner for the Cuban presidency in 1951 before committing suicide during a live radio broadcast; and her mother, Dalia Chibás, Miss Cuba runner-up in 1959. Zigzagging through her own stories and key episodes in the history of her illustrious family, Chibás gives an impassioned, live- wire performance that is propelled by her near-death experience in the Venezuelan Amazonia.

The Los Angeles Times

"She hooks us emotionally at the outset, and we’re right with her for the rest of her journey of self-discovery…Chibas touches the human need to know who we are and where we come from. - Agustin Gurza"

The Los Angeles Times

Boston Globe

"…an engrossing and moving solo show."

Boston Globe

Edge Media Network

"Ms. Chibas' storytelling is so masterful, you can envision everything that is not represented."

Edge Media Network

New York Post

"The results are fascinating… with her vibrant and skillful performance, and a physicality (best displayed in her imitation of her parents' dancing together) that animates the material… it's as if she's literally treading through a graveyard of memories. - Frank Scheck"

New York Post

New York Theater Review

"Chibas throws her whole body gracefully, sometimes torturedly, into every gesture, almost always starting with a movement of her fingers that then radiates into the rest of her. Chibas has a dancer's physicality that keeps her compulsively watchable. Great stuff, perfectly played. - David Lefkowitz"

New York Theater Review

The New Yorker

"Chibas portrays her childhood immersion in the mixed emotions of exile with impassioned and physically unstinting acting. We succumb to her magnetic force. -Jason Zinoman"

The New Yorker